Reading a large PNG in the browser for its preview showed "gerando a
prévia… 87%". It now shows the time left, worked out from how long the
reading has taken so far: "faltam cerca de 25 s", "faltam cerca de 3 min",
"quase pronto". The bar still fills as it goes.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The product page's notice about the upload time is gone. The cart's upload
bar now reads "Enviando seus arquivos · faltam cerca de 6 min", measured
from the upload's own speed (a range from the size for the first seconds),
with a line saying the time depends on the internet and to keep the page
open. The header and the pay button show the same time instead of a
percentage.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The header's search, account and cart get icons, with the item count on the
cart instead of "Carrinho (N)"; on phones only the icons show. The upload
zone, remove, rotate and mirror buttons used Unicode symbols that look
different, or are missing, depending on the system's fonts; they are now
Lucide icons (ISC licence) drawn inline, so nothing new is loaded and the
CSP is unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Above 150 MB the browser cannot read JPG or WebP in parts, so a large
artwork was refused. It is now measured from its header, graded and priced
with the discount like any other, and placed on the sheet as a full box,
which is exact for JPG. The card says there is no preview and that the team
checks the art before printing.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
When files are picked, the product page shows the range the upload takes
between a slow (10 Mbps) and a fast (150 Mbps) connection, and asks to keep
the page open. The cart shows the same range until the real speed is
measured, then the measured time left.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Each artwork gets the same card as a finished sheet: "Suas artes" with the
count of artworks and copies, a thumbnail, the size in cm with pixels,
format and weight, a DPI chip and how many fit per row, the resolution or
width hint, then width in cm, a copies stepper, rotate and mirror, and the
usual sizes. Packing, pricing and the hints are unchanged.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The product page is rebuilt around mockup 1. The two ways to send are
cards under the title; the PNG/CDR route choice is gone (it never changed
the price, and the picker now takes every allowed format). Each file card
has a thumbnail, its size, check chips with a plain sentence for any
problem, a "Ver detalhes da conferência" link and a copies stepper; a CDR
file says "Conferência manual · preço cheio" and asks for the length. The
buy box shows the price scale in DPI with the customer's step, the metre
and 10 cm length, the total and what the resolution saved, and "Sai em N
partes" only above 20 m. Folha já montada gets "Ampliar" instead of zoom.
Pricing, grade and checks are unchanged.
Fixes on top: the card thumbnail is a small image made once, not the full
preview re-parsed on every repaint; sizes from 1 GB up read in GB; a failed
upload is shown with "Tentar de novo" instead of retrying silently on every
cart change. The browser suites wait for the product and the reloaded page
instead of racing them, and the artwork suite delays imagemDaArte, which
the packing now uses, fixing the CI failure of f4aacb5.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Artes avulsas decoded every file whole, and the packing decoded each one
again on every repaint, so a large artwork failed to load. A PNG over 150
MB is now measured from its header (pixel size, so DPI and grade stay
exact) and packed from a 1200-pixel copy read as a stream, with progress on
its card; every artwork's image is loaded once and reused by the packing.
A large JPG or WebP asks for a PNG, and the grade card no longer calls a
file unreadable while it is still being read.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Reading a large sheet repainted the list and "Sua folha" on every progress
step, so the preview flickered; progress now moves the bar in place and
"Sua folha" shows a skeleton until the preview is ready. A sheet printed
N times is shown N times (up to six, then a count). The payment page shows
skeletons while the order loads and until the card form is ready.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A large sheet had no preview and no automatic check of pieces, residue,
gaps and background, because decoding it whole would crash the browser.
A PNG over 150 MB is now inflated as a stream (DecompressionStream) and
unfiltered row by row, keeping every n-th pixel: a 600-pixel-wide copy in
about 100 MB of memory whatever the file's size (6.6 s for 500 MB, 22.7 s
for 2.4 GB of random pixels, identical to Pillow's output for RGB, RGBA,
grey, grey+alpha, palette and 16-bit). The copy is the preview and what
the sheet check reads; the grade still comes at once from the header.
The preview note promising a server-side re-nesting that does not exist
is removed.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Sheets of several GB are the normal order. The upload limit is now 5 GB.
ClamAV scans files up to 2 GB; a larger file is released only when its
first bytes match the format its name claims, and a disguised file is
refused. The Site grades a sheet over 150 MB from the pixel size in its
PNG, JPEG or WebP header without decoding it, and reads large PDFs in
ranges. The worker never opens a source over 300 MB: a finished sheet
placed whole becomes its own print file, which the Kanban offers to approve
as the final, and anything else goes to hand preparation. Files start
uploading as they enter the cart, with progress in the summary, and each
part renews the reservation so slow uploads do not expire. Quotas grow to
50 GB per customer and 500 GB in total; the Swarm config for ClamAV is
renamed because a deployed config cannot change in place.
Verified locally with a 386 MB and a 1.8 GB PNG (scanned, paid, original
as print file), a 2.3 GB PNG (format check) and a disguised 2.3 GB file
(refused).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Artworks on the left; on the right a box that stays in view with the live
sheet, the grade, the price per metre, the metres charged, the total, the
resolution note and "Adicionar ao carrinho". The separate quality and
preview panels, the second sheet preview, the per-row mini sheets, the
summary box and the repeated findings list are gone: each piece of
information now appears once.
Each artwork row carries at most one hint (resolution first, otherwise a
width that saves film), the ready-sheet/loose-artwork choice is a toggle
beside the title, the upload area is one bar and the tips are collapsed.
The box only shows the item the page already priced, so it always matches
the cart.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The Site's page sat at the repository root while its scripts lived in
local/static, a split with no reason behind it. They are together in web/ now,
with the page as index.html, which is also what the image serves.
app.py held the adapters, the configuration, the shared query helpers and
nineteen routes; customer.py held fourteen more but could not import from it
without a cycle, so it was wired by passing nine callables into install_routes.
Configuration and shared helpers move to local/runtime.py, the rules for
attaching artwork to an order move to local/artwork.py where a customer
correction and an operator final-file set can share them, and the routes become
seven routers under local/api. app.py is 48 lines that create the application,
apply the middleware and include them. Routers import downwards only.
Three faults came out of the extraction and are worth recording, because each
passed a check that looked sufficient. ast reports a function's line at the def,
so every decorator on the line above fell outside the extracted range: twelve
routes and the security middleware were defined but never registered, and the
files still imported and parsed cleanly. Names the old closure renamed on the
way in, and a Jsonb import, were missing in three modules. A name-resolution
pass over every new module found those; the route count matching the original
exactly, 32, is what confirmed the first.
The release gate's marker for the fake payment adapter pointed at app.py and the
adapter moved to runtime.py, so the gate passed while the condition it guards was
unchanged. That is the same silent decay 2.5 set out to fix. A test now asserts
every marker still matches something in its file, so the next move fails loudly.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
